Meaning Analysis Show Art Top Daboh and Dance Tarek Pukat

Authors

  • Icut Susanti Malikussaleh University, Aceh, Indonesia
  • Kamaruddin Hasan Malikussaleh University, Aceh, Indonesia
  • Nova Elizawati Malikussaleh University, Aceh, Indonesia
  • Nur Aini Malikussaleh University, Aceh, Indonesia
  • Tuti Hartini Malikussaleh University, Aceh, Indonesia
  • Ary Dendy Setiawan Malikussaleh University, Aceh, Indonesia

DOI:

https://doi.org/10.29103/icospolhum.v4i.384

Keywords:

analysis, meaning, top daboh art, Tarek pukat dance

Abstract

Tarek Pukat is a form of art which is a form of culture resulting from the thoughts, thoughts and concepts of the coastal communities of Aceh. Top Daboh is an art performance that uses masks and dance. Masks in Indonesian culture are often used as symbols of mythological characters or creatures. Therefore, the author is interested in analyzing the meaning of the top daboih art and the meaning of the Tarek pukat dance. The method used is a qualitative method. This research carries out direct interaction in collecting data on subjects and objects in this research. Collecting data yourself through documentation, observation and interviews. In general, this research uses data collection techniques using four techniques, namely a. Literature study, b. Observation, c. Interviews and Documentation. The meaning of the forms displayed in Tarek Pukat has a message and depiction of the unity and togetherness of the coastal communities of Aceh. that the creativity of the Acehnese people in making fishing nets by working together to help each other to find the necessities of life for the people of coastal Aceh can also be said that the Tarek Pukat performance is a form of representation of the Acehnese people. Top Daboh and Tarek Pukat are art forms that contain meanings of Indonesian culture and traditions. The meaning contained in the poem is more related to makrifat knowledge. In this poem there are da'wah values which are also found in the banging and slamming of the daboih instrument on the body of the daboih participant, this becomes the rhythm that is swung in unison with the rapai hit by the daboih player.

References

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Fitriani. " Fishermen as an Idea for Creating Tarek Pukat Dance in the Study of Symbolic Interaction ". Vol-15,No-2(2017):179-188.

Mouna, Ardial Rizki. (2020). The Values of Da'wah in the Debus Meeting Poetry in South Aceh Regency. (Bachelor Thesis) Ar-Raniry Darussalam State Islamic University.

Syakrani." culture and culture: reviews from various experts, forms of culture, elements of culture that are universal l". Cultural journal. Vol. 5 No. 1(2022):782-791.

Sriwahyuni ." The relationship between religion and culture in the Teumentuk tradition". (Undergraduate thesis) Ar-Raniry Darusallam State Islamic University. Journal (2020).

Zefita, Alif Annisa. (2021). The Existence of Top Daboh Art in Southwest Aceh District. (Bachelor Thesis) Ar-Raniry Darussalam State Islamic University.

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Published

2024-01-25

Issue

Vol. 4 (2024): Proceedings of International Conference on Social Science, Political Science, and Humanities (ICoSPOLHUM)

Section

Articles

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Copyright (c) 2024 Icut Susanti, Kamaruddin Hasan, Nova Elizawati , Nur Aini , Tuti Hartini , Ary Dendy Setiawan

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